Ripley to The Rings of Power: your top TV of 2024
Who is a god of TV? Who has magical chemistry? And who deserves to be lightning-bolted for bad behaviour? Here are Guardian readers’ best shows of the year(Netflix) My favourite show of 2024. It seems to be a rarity in TV that a singular vision survives the creation by committee process. But in Ripley, Steven Zaillian gives us stylish black-and-white cinematography that’s usually reserved for the artiest of arthouse cinema. We get a meticulous mise-en-scene that makes every crime scene a puzzle for the viewer to dissect. And, most importantly, we get incredible central performances from Andrew Scott, Dakota Fanning and Johnny Flynn. This truly felt like a labour of love and for me surpasses both the source material and the previous film adaptation. For those eight hours, I was utterly transfixed. It also helps that for the first two episodes I didn’t realise I had subtitles turned off, so thought it was an intentional decision to avoid translating the Italian. It’s a testament to the quality of the show that I didn’t question that, and went with it. Harry Schofield, 30, London Continue reading...
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Who is a god of TV? Who has magical chemistry? And who deserves to be lightning-bolted for bad behaviour? Here are Guardian readers’ best shows of the year
(Netflix) My favourite show of 2024. It seems to be a rarity in TV that a singular vision survives the creation by committee process. But in Ripley, Steven Zaillian gives us stylish black-and-white cinematography that’s usually reserved for the artiest of arthouse cinema. We get a meticulous mise-en-scene that makes every crime scene a puzzle for the viewer to dissect. And, most importantly, we get incredible central performances from Andrew Scott, Dakota Fanning and Johnny Flynn. This truly felt like a labour of love and for me surpasses both the source material and the previous film adaptation. For those eight hours, I was utterly transfixed. It also helps that for the first two episodes I didn’t realise I had subtitles turned off, so thought it was an intentional decision to avoid translating the Italian. It’s a testament to the quality of the show that I didn’t question that, and went with it. Harry Schofield, 30, London
Continue reading...
